• Analog compressors: Demeter Tube  Opto-Compressor, DBX 165A (2),

 Neve Portico, DBX 161 (2)

• Remote Recording:

 2 track 96 kHz Tascam HD-P2

 Protools LE with 003 interface 8 channels  96kHz or 16 channel 44.1 kHz with  Macintosh laptop

• “Classic” formats:

  24 track, 2 inch Analog (transfer only)

  DAT Panasonic, Nakamichi cassette,

 1/4 in 1/4 track and 2 track reel to reel  Turntable


• Video Gear: 
  Panasonic HC-X 900M 3MOS (2),
  Final Cut Pro X 10.1,  Motion 5

  Compressor 4.1.3,

  9x12 green screen

  

  








• Monitor amplifiers: Citation 24

 Rane HS6 (Headphones), 

• Musical Instruments:

  7 ft Baldwin Grand Piano, 
  Martin Guitar, 12 string Takamine,

  Fender Precision 1977, Electric Guitar,

  Custom solid Koa Wood Drumset,      Percussion toys, Toca Congas, Kamaka & Kala Ukulele, Hammond B3 Organ w/122 Leslie,

Roland Keyboard Midi controller 


• Mastering:  K-Stereo System

• Tube amplifiers:

 Ampeg B15, Fender Princeton, Marshall JCM-2000

• Sofware synt / plugins:

 Komplete10 Native Instruments, Xpand2,  Strike, Waves Platinum Bundle, Melodyne,  AutoTune Evo, 




PROTOOLS  HDX Pro Tools 10 & 11 
32 analog inputs up to 96kHz sample rate
 
• Microphones: U47 G. Wagner (Best), 

  Neumann U87 Vintage (2), Neumann U87        Tube, KM184 (2), Royer 122(2), RE20 (2),      Sennheiser 441 (2), AKG 451, 

  ADK M51 MOD (2), Beyer M500, 
  Shure 57, 55s, Sony C-38 (2)

• Mic Preamps:

  Demeter tube, Ampex tube 1960 (2),
  Neve Portico, Allen & Heath 1970's Discrete      Preamps (10)  Focusrite Octopre Platinum

• Direct Boxes: Demeter Tube, Countryman

• Reverbs: Altiverb 7, EMT Analog Plate,  

  Reverb One, Revibe, Softube TSAR-1,    

 Waves ( Trueverb, Rverb)


• Monitors: Westlake Audio BSM12, Yamaha     NS10, Auratones, Audiophile GNP Satellite, 

Velodyne Subwoofer (2)


Since 1981 in Manoa

Rendez-Vous Recording

Pierre Grill - Engineer